Here is a small materials study assignment with applying heat binding pigment to fabric. After all the dyeing and slow building up of layered transparent color, it was nice to just draw and create a more graphic and deliberate mark. The pigment wasn't diluted and I just worked on the muslin with a brush to see how things went. I like to draw! No matter how open I am and intrigued I am with all the avenues that an artist can now take everything returns to drawing. It's definitely something I want to keep developing despite UWs insistance on heavy theory and clumsy hands.
Every once in awhile it feels like I have to put my boxing gloves on and get in the ring to defend my stance on background and the environment of my work. Though I'm very interested in an environment texturally and creating a space for my subject of choice to exist in, complete articulation of the world outside my focus just to create a context feels wrong. When I focus, I can't see anything outside of what I'm looking at, and if drawing is an act of focusing, well that just means that my drawings arn't handicapped at all, but just honest. They are able to serve the dual purpose of communicating ideas for a greater cultural need (Illustration, entertainment, public consumption, livelihood) as well as create a place where I can work out the more personal aspects (neurosis, fetish, innocent curiosity) that come with being an artist... Or at least that's the balance I'm working toward :)
|My cat, Mischa, didn't get to come live with me in Seattle, and I miss her a lot. Can you tell??|