



This was a plate that was a good exercise but did not yield the results that were planned. Wanted to only aquatint without any drawn lines (only values/tones) which was done through putting the plate in the acid and covering the parts that were to be untouched with ground.
Unfortunately I didn't make it dark enough so it took me and my amazing teacher a little time to coax out some successful prints. It really goes to show that there's a mastery in just the process of pulling the print that is totally independent of what goes on with the plate.
As far as the image goes, I was thinking a lot about texture and calcium deposits, or how sea shells grow. How juxtaposition of two natural things can yield something monstrous and hyper-beautiful...Blah blah blabbity blah blah haha


Am in an odd mood right now, most likely because am visiting home in Washington. Have been struggling a little, no "struggling" isn't the proper world for what I'm doing. What is happening is that I am watching things and getting mighty queasy. Am sad that I no longer write interesting articles for you guys, and that the art I do show you has de-evolved into silly doodles and watercolors.
Story Time! So while doing this illustration late last night (late due to my own inability to self motivate) I kept trying to figure out why it looked funny. "why does this look funny?" I asked myself, holding it at arms length, putting it on the floor and tacking it to the wall and taking a few steps back. "SOMETHING IS WRONG!" 