We're not sure what kind of love this is.

Originally this piece was meant to be part of a series at least three pieces long about dominance, both sexual and social. After sketching out the images that were to follow I realized they were just cute pornagraphy haha which of course I really like but didn't fit in with this first image which loosely dealt with obediance and waiting. Maybe later I'll post some more naughty bits since as seedlings they looked pretty compellingly dirty and exploitative.

Special thanks to Morgan Conley, who last time we hung out showed me how to make it so you can color BEHIND your inked work. Have been asking around for literally ages on how to do this but nobody was ever able to give a straight answer! Was so excited, because it's really very important to be able to preserve the original drawing in all it's texture and minute mistakes and not just throw it all away in exchange for a clean yet fingerprintless line art thats only meant to hold robotically filled color.

Also, another friend Andrew Werner, reminded me that one of the perks of digital art work is how easily textures and colors can be spliced in. Collage used to seem very dishonest to me and I was closed to it's possibilities because egotistically I wanted to be able to take credit for every single aspect of what I created. As my computer slowly becomes a holding bank for stolen images it has become undeniable how important of a relationship my generation has with photography and video. That even if I wasn't directly using imagery in my pictures I was just as much of an image burgler as anyone else.

Quick fact: the background is blown up pixelated parts of colors found in photographs of the red light district in Amsterdam.